Saturday night was so good that I didn't get to bed until 7:30 am. When you plan an event, there's only so much you can hope for. Especially when you're dealing with a creative community like the Lindy Hop one. Most times you just hope that people don't take the opportunity to embarrass themselves. That didn't happen last night. Too much. I haven't seen a show that consistently good in a very long time.
ILHC 2009: The Stuff is Here
The Friday night and Saturday day activities at ILHC are in the books. Great music from the band and the DJ's and awesome dancing from the competitors. We had workshops through the day before the evening events started. I was able to sit in on Sylvia Sykes' "What Judges Look For" workshop which drew a pretty big crowd in the main ballroom.
I didn't really take notes, so I don't want to put any words into Sylvia's mouth. But I think that if anyone there was looking for the secret to doing well in competitions, they would have been sorely disappointed. However, it was a very pragmatic and insightful look into the other side of competitions.
ILHC 2009: Frida and Skye, Classic Division
One of the first videos to come out of ILHC this weekend. Frida Segerdahl and Skye Humphries performed in the ILHC Classic Division on Friday night a little before midnight. This video hit YouTube about four hours later.
ILHC 2009: Eye of the Storm
Setting up for ILHC yesterday went pretty well, and ended ahead of schedule. I really like the fact that we started on Thursday instead of Friday like we did last year. Last year we dove head long into the weekend; setting everything up, having people practice their routines on a dance floor that wasn't completed, and then going straight into the dance and competitions.
This year felt much more casual. A lot of that had to do with the dedicated volunteers we have plus the super professional contractors.
Reputations are made or broken at big events, but this isn't limited to performers. Tena Morales likes to run an event with fewer hard working volunteers instead of having a bunch of warm bodies filling out the volunteer schedule. She values reliability over numbers. Exceptional volunteers are remembered, rewarded, and referred to other events. Bad volunteers are shown the door. Sometimes mid-event.
Random Links & Videos: International Week in Review Edition
With the International Lindy Hop Championships coming up I noticed the amazing array of lindy videos from around the world uploaded onto YouTube just in the past week. It makes the spread of Lindy Hop in the past two decades that much more impressive.
Ghost of ILHC past
At 1:00 pm on Friday afternoon, we got official access to all the meeting spaces at the hotel. At that moment we had planned for the sound and the floors to be installed simultaneously, plenty of time before the risers arrived and the chairs to be set up for the 8:00 pm opening of the ballroom for social dancing.
At 1:01 pm on Friday afternoon, I was standing in the middle of an empty ballroom.
America's Best Dance Crew-1933: The Four Step Brothers
You may remember a performance by The Harlem Hot Shots on Thursday night of Frankie95. Someone uploaded the original clip and I thought it would be nice to put them together. The scene is from a 1933 short film entitled "Barber Shop Blues" featuring Claude Hopkins and His Orchestra. He was leader of one of the house bands at the Savoy Ballroom in 1931.
AIR Pt. 7: Connection Junkies
Another interesting trend during this period was the growing number of people, regardless of style, who worked intensely on partnering mechanics. Again, this is where crossover events had a major effect. Even if a Lindy Hopper would not appreciate the music or the general aesthetic of West Coast Swing, there could be no denying that WCS during this time period had a much more superior grasp of connection than was generally known in Lindy Hop at the time. Since WCS dancers were seen as superior dancers because of that grasp of technique, it led many people to focus on that. As with many other things dancers were doing at this time, it was eventually worked on to an extreme.
Random Links & Videos: All The Single Ladies edition
I'm not the only verbose Lindy blogger: A view from down under about what makes a good jam. <dogpossum> Camp Hollywood redux: Another review of Camp Hollywood from someone who was there < The Rantings of a Lindy Hopper>
AIR Pt. 6: Groove Is In the Heart
The combination of those trends mentioned in the previous posts contributed to the development of certain dance habits in Lindy Hoppers that were collectively called “Modern Savoy Lindy” or “Groove Lindy.” By some accounts, dancing like this already existed in some scenes such as Chicago and San Francisco. Some of this can be also be attributed to the influence of was being seen of WCS performers at crossover events. However, the buzz from the Minnies’ Moochers performance provided the spark for its nationwide popularity.[1]